take me in, take me home the poem speaks doubles
spoken token broken bits of me I seek
comma to karma, a chameleon revealing alien
secretion-all-relationships between encoding
we part ways and the bones are the days
we decorated as countenances
I hear one of Huldra's Nymphs play
this same song, a maestro in the rain
bleeding skin, tissue paper carnations
falling off her like dyed barely dried
sales pitches for the eyes
discounted like Easter egg coloring kits
I bought the night before Beltane ...
the stanza here
is dedicated to the city style minds of America, Rome, and Babylon:
Persopolis, Tenochtitlan , Timbuktu and Nineveh
never recovered from the losses
of indicator species
frogs and bees man
frogs and fucking bees
tiny robots to pollinate
metal in the air to dare the clouds
and perhaps shape the future
long enough to escape
with enough of us and stuff
to start this all over again
we are a gullible species, aren't we
"somewhere in outer space
where God has prepared a place
for those that trust Him and Obey"
* ( a part of a sunday school song from my childhood)
this is the music playing
when amplified progress desires
soft tissue ambassadors
to the soul
survival/will want bones to be Senate
sex organs and brain
to share the mouthpiece/leadership role
they'd also like to do this thing truncated-ly
twang is slang sound
midnight escaping into the daylight
must be late December or June
somewhere again
I ask myself how does everyone fit inside my mind
do the voices take turns switching the switches
and dreaming of riches to shower
those I've un-comforted along my ways
not so fast past TV night you see
nothing changes blames witches
because the churning of culture
only seems to
want Lilith
kicked out
for demanding
what was rightfully Hers
I swear the allegiance codes change every day
and to drive these roads at night
well let's just say, irksome is a pleasant gadfly
not I as I ran into an old woman with a window
for a stomach
and the future
on the very ends
of her pursed lips
why do I think of candy
when impending doom approaches
play games with the words to change the mood
doom odom modo mood or something like that
dramatic segue into closing credits
scenes of barber chairs and milky white linens
ruffling in a sunny wind
while pinned to the line
by maidens in long dresses
a long shot is tracking
the audience grasps
we, principles and puppeteers
behind the curtains
rift the drifting
of story
into a smiling dark
poem has grown to know
when the endings begin
where wombs carry to term
the weight of our sins
EJR ©
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