Heiroglyphical Representation of Jupiter or Pan from Athanasius Kircher's Œdipus Ægyptiacus. |
what do you mean
I have gone off the deep end
well sir you seem to have taken
to king-ing yourself a courtly idiot
and quite frankly darling
it does suit you
but rather than participate
in your coronation
and its resultant world at large
I would rather have you slave away
inside my domed biospheres
the ants have been building
these arks for millennia now
in order to save all the botanical species
from any extinction
due to loss
of the magnetosphere
when the universe's first
black dwarf with its snow white in tow
follows a mother comet on home
coming back to visit her brood
here where we are
poem and I
practicing
the lullabies
we children
sing to the ancients
(on top of any mountain is a song the wind teaches us)
she is why poem exists
be her young or older
married or never with
a single someone else
children or not apron strung
she is ours
our words
mine and poem's
our bliss
how we follow
kiss nectar
one moment
to the next
the best laid plans
of humans can be bricks
and mortar, though
the houses we
feel most at home in
are always made of cards
and meant to be set on fire
eventually
to get straw to be gold
Rumpelstiltskin said to us once
you have the right colored glass windows
to see infinity through the lies that keep you
grounded and adhered to tether-ball courts
of cinema escape
modernity's lamination
captures life in lathed once ago(s)
old tourist stops
and malt shops
in the post war
automobile
culture America
we are obsessed
with meaning
we are and were
and always wanted
to be these
two kids
spun round
maypoles
in a garden
(the tailor struck nine)
sewn on
we soon
figured figures
letters symbols
counting numbers
marking times
that the light
we wanted
to be held by
itself was born
in sea caves
like we always
thought we were
sometimes we just want to wither away and become the dust
again wind and seed let fates decide where we lie and bleed
do we wear our selves thin meniscus driven
but then when does mother comet return
and do we know the nautilus shape
of heavens was exhaling invertebrates
and the spines of told tales
an ever open expanse
of space and time
the old dowry cloth we kept
for life's emergencies
was folded corner to corner
neatly inside a cedar chest
at the top of the attic stairs
we knew the past
and the future
somehow belonged
atop each other
right there where
it was presented
leeward-ly leaning
drift netting post-Descartes
Tom Robbins' Pan
his gallant dancing electricity
and subtle musk carrying
all our mother May eyes
to any other third stone
from the Sun we could find
EJR ©
Cracking up over "Pan-spermia." :) Especially when you partner it with "Eve." Quite the garden party, my friend.
ReplyDelete"ex-tinction" has always been one of my favorite splits
"p/rac/t/icing" ... breasts, physical therapy, and icing ... sounds like destiny's hands at work, when it comes to this combo
"the wind teaches sus(s)" ... I like.
DeleteThe "she is why poems exist" stanza is my favorite.
"best laid plans" ... hilarious
mortar = more tear (as in ripping, I think)
"our houses we" ... great line break; so much truth here, that "we" (as in our souls) are our own houses, rather than anything physical ... not even our bodies
Deleteeventually = even/two/ally ... everything burns up in some sense; there's no way around it ... at some point, not even marriages or best friendships can be "home" for us ... especially if we haven't yet found/built it inside ... that's something we *must* do alone
I love the layering and line breaks in the Rump. stanza. In fact, that and the Maypole ref. reminded me of that dance video, which I'mma hunt down and repost, right away.
ReplyDelete"modernity's lam(b)i/nation" ... I love that.
I don't know what YOU mean by the tailor line, but I see him sitting down (in 9 o'clock position, like the shape of a chair), just looking at his perfected work, in awe, as she spins for him to show off the dress he made her
Also a tail-er (the obvious, but also a tracker, trying to catch the number 9). Why? Because it's the perfect number, duh. Ooh, it's also a woman who's close to a 10. But she won't stop bouncing around (like on those preschool videos for teaching counting) , so he has to clock her (tee hee) to get her to be still ... for questioning? Is she involved in a crime? Ooh, this is getting very interesting.
DeleteI LOVE that who next stanza. It's all cave-man-y and tribal and Harry Potter, but more Tom Riddle, scaring the little children with his spells (hee. hee, get it?).
"we knew the past and the future somehow belonged atop each other" ... That should be the only thing that matters.
DeleteSo to me, this is a Harry Potter series metaphor (with Pan as a guest star [although you will say he is THE star]) ... the sorting hat, trying to find our place, deciding between good and evil, wondering what those concepts really even mean and how that affects us as individuals and as partners ... then there's the fact that the speaker(s) is/are orphans ... Tom and Harry and their blended energies, histories, and powers ... but Ginny's in there too, the girl he's meant to be on top of ... only you call them past and future, and I see lovemaking ... but obviously I'm just doing what I do, which is hijack your poem, put it through a shredder, and mosaic the mesh out of it.
Read the folk tale, "The Brave Little Tailor" ... I think you might like it ...
ReplyDeleteI'm going to have trouble finishing it. I'm sad that he hurt the unicorn. That's all kinds of messed up. You should never risk tampering with unicorn magic.
DeleteI thought you said "The Brave Little Toaster" at first.
ReplyDeleteAnd a great mash up I have to say ... It allows me a good outside to inside ears, nose and ruby throated sparrow look at the piece ...
ReplyDeleteruby throated sparrow ... if that's your own little off-the-cuff expression, you should put it in a poem
DeleteThat line comes from a favorite song of mine by Crosby Stills Nash and Young (Suite: Judy Blue Eyes) ... A song you might want check out, I dare you not to sing it after listening to it once ...
DeleteI will listen to it. But I will not accept your dare, for I do hope it compels me to sing, and I don't want to have to fight the urge.
Delete