photo by Edward Rinaldi © |
why art is always an abstract take on modernism
colloquial corporate canards
are cunningly conniving
concealing anything
remotely impermanent
or conciliatory to love
as infinity
there might have been innocence within us, once
anytime now was interrogated
we cloaked ourselves in assumption
beneath malleable faces of tyrannical and puritanical
we said otherwise
tides can chide
between the push and pull
of divinity and baselines
between erode and reveal
and the turning of starlight
into rocks then rain
say do we always heed instincts
when weathered by circumstances repeated
are we guilty as charged, like the silent say
labeled pariah to pestilence
needless, except to fence in
we repeat hymnals
in a reflected misanthropic champion daily cycles
of grind, grain and explanation, that it is all progress
that we were here once ago and again
wondering how things got to be spinning so fast
we couldn’t feel what form came next
so we cut slits in the paper
and covered our boxes to pinhole
the view of each part of our humanity
eclipsed by powerful suns disguised
as the soul bearers coming
with more horses, hordes
and bone cages
they can make sing
the songs of sixpence tropics,
commercial rums and ryes
EJR ©
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