photo by EJR © |
dreaming
in grainy polaroids and samaras in a shoebox
this is
why we take pictures
indeed we
bleed ourselves often attached to the deciduous cycles/ we plotted secret maps
on Winters’ nights between bone armed sentinel reaches and a black gauzed night
seeping into a dome yellow sodium sorrow of anticrime street-lighting/ a
city might sleep, with one eye open, high on Ambien, walking the sundry to
fancy anonymous sexual escapades/ certain purities and slag(s), imprinting
wills and won’t(s) upon the empty pages and subtle pageantries of instinct,
information, hunches, survivals, thrives and what we load inside our bones to
share with each other without ever having to say a word
this is
why we personalize our experiences
hooking
ourselves to wagons and trains feeds the quiet embers of our collective soul’s
belly mechanical(s)/ working the long hands midnight to dawn while, the stuck
to a clock crowd, remains the same chorus of a song/ never acknowledging, we
are always seeking of the new warm womb/ while we are often at our highest,
crawling underneath surrender/ why we swing for low bound chariots, bough canopy
poems and changeling views/ between our seed lust hunger and the trees
EJR ©
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